Even in the daytime the light in the room is subdued, for the low eaves of the slanting roof admit however few of the sun's rays. The varied objects for the decoration of a room must be so selected that no colour or design shall be repeated. Right here once more the Japanese technique of inside decoration differs from that of the Occident, the place we see objects arrayed symmetrically on mantelpieces and giá xây nhà tại Lâm Đồng elsewhere. The absence of symmetry in Japanese artwork objects has been typically commented on by Western critics. Since Zennism has grow to be the prevailing mode of thought, the art of the extreme Orient has purposefully avoided the symmetrical as expressing not solely completion, however repetition.
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